New  »   Gator Country  ·  Pony  ·  Sunshine Jen  ·  Post-Modern Drunkard  ·  Robot Journal
My history as a visual artist

The age of four was probably the last time this artist stood formally in front of an easel. Clearly, this is a commentary on insufficient housing for lower-income torso-less people with raisin eyes.


Through her childhood on the West Coast, Pony was a young Emily Carr, with a sailboat as her Totem, the emblematic pacific ocean pemeating her third grade mind.


The rose was on every margin of every textbook, like a seed, without the sun's love, in the spring, becomes the...


He has big shoes.


In the year 2003, Pony has merged her early influences into one composition. Like Guernica that preceded it, this canvas evokes the cartoonishness of existence and the hyperbole of language that is extruded with bubble-font. The indifferent sun shines mercilessly above.

«« past   |   future »»

10.10.2003
«« past   |   future »»


Previous Posts
That time facebook killed a robot
Vaccine dreams and waiting for some release
It's okay to miss who you used to be
What's a Nice Jewish Girl Doing With a Tree Like This?
How To Celebrate Mother's Day When You've Lost Your Mom
Cassette Players Were A Pain, But There Was Nothing More Romantic Than A Mixtape

comments[4]
all comments

post #596
bio: adina
perma-link
10/10/2003
12:07

archives
first post
that week




Share This



Category List
bun in the oven
February Smackdown
gastro-intentional
India
me likey
monkey cake
narcisimo
news
open letters
politico

My Links
twitter
»More...